The Kresy myth () ('myth' in Polish sometimes not referring to a necessarily false belief as in English) also known as the Kresy Cult (kult Kresów) and the Kresy Legend (legenda Kresów) is the name to a certain sense of views or attitudes in connection to nostalgic attachment of the former eastern borderlands of Poland (Kresy), sometimes in an ethnic nationalist sense, sometimes as a multicultural land dominated by Polish culture.[ According to Andrii Portnov, the Kresy is seen even as the lost paradise' of Poland’s 'civilisational mission at the same time as the location of "bloody and romantic clashes with the Cossacks and Tatars".][ It is argued exponents of the discourse tend to focus specifically on Poles, living in the Kresy without paying sufficient attention to the region's Ukrainian, Lithuanian, Rusyn, or Belarusian inhabitants.]
Mythology
The Kresy myth is an important component of certain versions of the Polish ."The myth of the kresy is a myth founded in many respects on the sentimental self-delusion of the Poles. The mechanism whereby that self-delusion operated is understandable, but that does not mean it has to be fully accepted."
According to Antony Polonsky, this is a particularly harsh view.
Maria Janion compares the Kresy myth to the American frontier myth of the Wild West.[ Several scholars, including , point out the similarity between the Kresy myth and the German discourse on East Prussia.][ According to Agnieszka Niemojewska, the myth]"presents the Polish–Lithuanian Commonwealth not as it really was, but as many would like to remember. A Poland that is strong, respected, safe behind a solid wall of a noble court and armed in a chivalrous ethos. Simply put: Poland that you could love."
The militaristic battles fought in the borderlands against various enemies across the centuries led the Kresy myth to grow out of the Sarmatism one. The military element of the myth was developed in the works of Henryk Sienkiewicz.
According to Niemojewska, one of the main sources of the myth was Adam Mickiewicz's Ballads and Romances, which present an alternative truth from Enlightenment rationalism which is based on romanticism and rituals passed down through generations of people. She writes that various Polish authors have used elements of this myth in their work, such as Stanisław Lem ( Highcastle, 1966) and Tadeusz Konwicki ( A Chronicle of Amorous Accidents, 1974). Even Czesław Miłosz, who usually eschewed sentimental myths, in a certain sense arguably used elements of Kresy mythology when writing about Lithuania.[ However, Bakuła argues that the fullest expression of the myth is not in literature but in academic and historical publications.]
Further reading
